CCR Blog

 Attached is the presentation of my creative critical reflection.






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Production and Transportation

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 Although we are eager to begin working, our group has been very slow to progress. Each of us has been very busy with school and tests, leaving less time that we can all congregate to consistently film. We also have additional extracurriculars that limit the opportunities we have from meeting up together. Now this would be nearly impossible if we had to rely on our parents to drive us from place to place. It would also inconvenience everyone if we try and make a small adjustment to our schedules. Luckily, Maximus is eligible to drive and was planned drive us to our filming locations. These would include his and Jibril's houses. After this planning earlier in the year, we had expected our meeting dates to be flexible with this in mind. Unfortunately, the unexpected has constantly struck. For example, the car had to be repaired in the shop and was unavailable for about a week. Again, this left us with less available time for production of our film. This really hurt our motivation to ...
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Planning: Storyboard

Scenes 1-6 In the beginning of the film, the first shot will establish the dark setting of the scene. It will be an establishing shot that tilts on a street to show the moonlight night and a small suburban neighborhood. The next three scenes introduce the interior of the house and the victims of the killer's first crimes. Scenes 7-12 The main protagonist will come home, sensing that something is not right, and wander a quiet home. He will soon make the discovery that his family was murdered and will fill with vengeance. Scenes 13-18 The father of the family will use the police to ask for help finding the, but with no luck. After some time passes, we can still see the emotional trauma the loss has caused. We feel that this helps develop the character. Scenes 19-24 The father, now motivated to avenge his family, will recruit his friends for help and take matters in their own hands. They will find evidence that will begin a chase for the killer. Scenes 25-30 The next scenes show the d...
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Critical Reflection

  Our short film represents themes of power and mental health, both of which are common today. As our protagonist suffers from his wife’s death, we can see the emotional toll and how it consumes this. This can be interpreted as a representation of another being controlling and even surveying him to find out his next move. In today’s day and age parties have tried to get more power and control over media, especially by means of technology. In terms of surveying, the film shows how the killer somehow knows where our protagonist is and what he is doing, as if he had been watching his every move. In another sense, this could be an illustration of how governments and other organizations can watch their people and remain in control of their thoughts, emotions, and actions. Also, another common issue represented is the sensitive mental health topic. As previously mentioned, the film does its best to express the protagonist’s feelings of grief and sadness after the loss of his wife. It can...
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